a concept: me, in my cottage, in front of the wood stove, sipping tea. looking outside, my bees are pollinating my expansive garden. my goats and chickens and cows are happy and safe. i feel content with my choices and my future. i unconditionally and recklessly love myself. the local children believe i am a witch.
(via hirohamada)
http://bit.ly/NeverwherePulp (I loved his initial sketch, but I asked Robert McGinnis to add the rats when he painted it.)
The cover was inspired by early 70s gothic romances, and Todd Klein did the Title and lettering style inspired by them. Gloriously retro.
(via lyannas)
Fritz Baer (German, 1850-1919)
Sommertag (Weiden am Bach), ca. 1905Frye Art Museum
Girl in White (1905-1907). Ruth Pratt Bobbs (American, 1884-1973). Oil on canvas. Indianapolis Museum of Art.
Although the sitter’s hat and cape did belong to the artist, the model was a young Scotswoman named Jesseca Penn who later posed often for Robert Henri. The Japanese screen, a stock motif employed by Bobbs’s teachers in Boston and New York, creates the bright tones that suffuse the picture. Its vertical and diagonal bamboo stalks echo the lines of the sitter, deftly integrating the figure with the background.
(via centuriespast)
Small bit of a something.
Sorry to be so Vague.
I was somehow(??) given the honor of directing the Calarts Producers’ Show Opening this year. Thanks to everyone who took a chance on me and my weird idea, and who helped, tirelessly, to bring it to completion. You are all very special to me.
Click through to vimeo for a full and extensive list of credits!
2016 Producers’ Show Opening!
Green paintings by Cuno Amiet.
Click on the paintings for further information – title (year) [style].
(via hirohamada)
Marlon Brando photographed by Cecil Beaton in 1946, one year before he set the world on fire in A Streetcar Named Desire
(via hirohamada)
Fairfield Porter (1907-1975), The Dog at the Door (from Ten Lithographs by Ten Artists) 1971.
lithograph, 30 x 22 1/16 inches
(via jonklassen2)